The year doesn’t really end until you’ve compiled the top 10 lists. This is the way it is at the /Film. We can now conclude the story in 2021.
This week the editorial team at /Film put out their own top 10 films of 2021 list that showcased the films that left them awestruck in this year’s cinema. After some math-based calculations and a few numbers, these lists were amalgamated to create a comprehensive Top 10 lists for the entire website. A single list that can be the ultimate list, in fact. Certain personal favorites barely missed the list (sorry, “The French Dispatch”), and the most popular film of 2021 made an admirable effort but didn’t make it into the conversation (apologies for “Spider-Man: No Way Home”). However, even with the title [INSERT your preferred title here the title is not included the list demonstrates one thing regardless of the time the movies are excellent. They’re actually great. This list of top picks is proof.
Spencer
There is nothing in this article that is unclear. What’s the reason? It’s a film that’s seeing Diana become lost in her thoughts, and of course, the story is going to be awe-inspiring and wide. To the credit of director Pablo Larrain although Diana’s life is tragic as we are aware of her fate is bleak but there’s hope in all of this the belief that Diana may still be able to achieve a hope of happiness, even though her life span is limited. (Chris Evangelista)
It’s only fitting that “Spencer” plays out like an old-fashioned fairy tale that is rewritten as a ghost tale, where the castle crumbles around the princess and only bloody shoes. “Spencer” is essentially a horror film in which an increasing sense of fear makes you feel increasingly uncomfortable and secluded. (Hoai-Tran Bui)
What can make “Spencer” linger on the mind for many hours is the moody cinematography of Kristen Stewart’s armed Princess Diana. It doesn’t matter if it’s the long halls of the mansion that is regal and royal as well as the decayed remains of the house Diana grew up in or the hazy fields that lie between them, each setting is set to evoke the terror inside. This is only amplified by the haunting score by the composer Johnny Greenwood. (Ethan Anderton)
Licorice Pizza
At the heart of the Paul Thomas Anderson film will be Alana Haim, who’s so great here that it’s kind of terrifying. Haim is her first acting role and she hits it off the mark with a naked vulnerability that could have scared experienced actors. Haim is already a rockstar and now she can include “movie star” to her resume, too, since she shines bright in this film making the film come to life each time she’s in the film. (Chris Evangelista)
The relationship of the leads captivating You can’t help from want them to figure things out, even though you see them make the most disastrous decisions in their early lives. If they’re in love with one another or at the other’s throats, it’s young love, all warts and all. This film is full of tangents. For instance, an outstanding performance from Bradley Cooper as the off-the-hinges Hollywood producer Jon Peters, bringing the perfect amount of absurdity that P.T. Anderson is able to integrate into his films. Did I not mention that the soundtrack is incredible as well? (Ethan Anderton)
Dune
“Dune” is science fiction that is serious. It’s a serious story, which in itself is a flex. There’s no pressure to interrupt the story with jokes in the fear that you might lose your audience which is one reason it’s so successful in engaging the audience. It may take place in the future, however, it’s more of an old-fashioned drama that is brimming with an intriguing Shakespearean plot of conspiracy and exquisite costumes. (Hannah-Shaw Williams)
The film is supposed to be dull and sloppy, but I was able to find some interesting delights (and funny, yes, even) from “Dune,” a film which gave us the legendary performance for Jason Momoa as swaggering warrior Duncan Idaho, Timothee Chalamet as the dejected heroic Paul Atreides, a whispery Rebecca Ferguson in lots of gowns and headscarves, Oscar Isaac as the doomed noble lord Javier Bardem spitting, and numerous other things. It might never be as successful as the “Lord of the Rings” as many had believed it was; however, I can be certain that it’s my “Dune.” (Hoai-Tran Bui) I like this type of movie. I love that hero action I like to make hero names if you also like to do that then use this cool superhero name generator it’s too cool to make hero names for your friends.
West Side Story
Steven Spielberg films his cast against an unreal, gritty backdrop (complete lenses flares! ) We are awe-inspiring as the characters dance and sing, and eventually endure horrific tragic events. There’s a cruel side in “West Side Story,” since it’s the tale of love and love’s inability to survive in a hostile, violent context. Anita sang, “Life can be bright in America.” However, not for these characters. There’s plenty of energy in this film as well. It’s one of the most alive films that we’ve seen in recent times. It’s one of the best from Spielberg as well. This is a big deal. (Chris Evangelista)
A breathtaking explosion of emotion, color, and kineticism. Steven Spielberg’s first musical accomplished what many (myself including) thought was impossible: it took an Oscar-winning classic film that was a definite cinematic success and actually improved it. (Ben Pearson)
Although the idea behind musicals is pure theatre, Spielberg gives this classic an authentic feeling and makes one believe that people could have actually burst into song and dance in the year 1957. It’s a classic tale with a fresh, vibrant look and it’s more impressive. (Ethan Anderton)
The Green Knight
David Lowery’s “The Green Knight” -featuring Ralph Ineson and his wonderful gravelly voice in the title role, as well as Dev Patel opposite him as the unlucky yet determined Sir Gawain The film is the best adaptation of the poem as I’ve imagined. The film is richly colored, well-written, and full of magic realism “The Green Knight” deftly and with good intentions, plays with the medieval ideas of chivalry in order to bring the character and the viewer to a point that makes sense of why Gawain’s journey isn’t as naive as it may seem. (Hannah Shaw-Williams)
I am awed by this film’s bizarre and mesmerizing images — burning battlefields, dotted with bodies scavenged by an unsettling Barry Keoghan Gawain watching his entire history flash by before him as he envisions his body being an undiscovered skeleton in the woods, a saint with no head with a body that is decaying in the bottom of the lake, naked giants advancing past small, insignificant humans, and as well as a Green Knight who seems like an Eldritch terror that has come out of the darkness. I like that the film -as Lowery’s meditative “A Ghost Story” -is about unpredictability. It’s about inevitability. Green Knight is less an antagonist, but rather a force of nature that -like nature and time — cannot be resisted or altered. I Like this movie and I like green countries. If you also like green countries for your toy world and want to make a name for your own green country then use this online country name generator tool. It’s too easy to use and make cool country names for your toy world.
